One of the more luscious collections I was able to attend, designer Vivienne Hu belies the banking-based business she turned her back on before turning her hand to crafting beautiful clothing that this season were the perfect foil for a midsummer’s eve garden party.
Hers was a trail of tiers. Soft ruffles, flounces and fringes were set off by just the right mixes of metallic materials and patterns that might make one think of a little bit country by way of Gunne Sax, just a little bit kid in a candy store via the amazing cornucopia of color, texture and wild fabric juxtapositioning.
Pretty. Strong. Soft. Flowy. Pagoda shouldered. Asymmetrical. Pastel. Brights. Long. Short. Spring 2019 New York Fashion Week seems to have it all, acting a little like the recent New York City weather. Wait a minute and it’ll change, as long as you can maneuver around the city in time to catch it on the runway!
The spring collection from Ozlana, an Australian design house, started out prettily enough. Pink fluffy clouds adorned the “sky” of a runway punctuated with faux fur bear rugs, dried flowers and patches of pink. Pastels, especially Millenial Blush, figured heavily in the first part of the show.
But then came fur parkas. And I convinced myself that the ice cream-hued fur vests, parkas, pocketbooks and trim on polos were faux. Sadly, it was not.
I hate to get political in a fashion post, but this is more of a matter of, hey, this is spring, why do you even need ANYTHING to be fur-like and also, hey, there is so much great faux fur out there now, WHY would you need to create anything for spring out of real fur.
These days, I’d rather walk a fur piece (hello: doggie) than wear one.